Greek Tragedy Mask Project
Objective: Create a dramatic mask in the spirit of the Ancient Grecian stage.
Materials:
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Procedure:
Tragic masks were not oversized or distorted; including the attached wig, they covered the entire head, with openings for the eyes and mouth. They were made of light-weight materials such as stiffened linen, leather or wood and were painted in a realistic fashion. Some later written evidence suggests that satyr masks were painted with reddish skin, male masks had brownish or yellowish skin, and female masks had white skin. Masks of young men like the one at the left were beardless; men in their prime had full beards and brown or yellow hair; old men were depicted as balding, with long grey beards. Hair color distinguished young and old female masks, and hair length was also important—long hair was typical, while “half-shorn” wigs designated women in mourning and closely cropped wigs indicated female slaves. Certain special masks were occasionally used for dramatic impact; for example, Oedipus may have worn a special mask after his blinding, and Aeschylus’ chorus of Furies certainly wore masks that suggested their monstrous appearance. The mask with an exaggerated peak of piled-up hair over the brow (called an onkos), as shown in this small terracotta mask or this mosaic from Pompeii, was a late Hellenistic and Roman feature.
Rubric:
| Criteria | Points Possible |
Points Received |
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10 |
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20 |
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12 |
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20 |
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8 |
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20 |
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5 |
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5 |
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Total |
100 |
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10 |
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Final Grade |